Wake up feeling discouraged or unmotivated? More tired than when you went to bed? It could be the stress of daily life. It could also be your pillow calling to you. That’s right. Maybe your pillow’s trying to tell you something, shouting in your ear to get up, take hold of its potential... and swing it in someone’s face! Someone you love, someone you’ve never met. Chances are they want you to meet their pillow, too. That’s what we here at PillowFit are all about: Waking up your potential and unlocking the Power of the Pillow. Are you ready to get down?

Turn off your snooze button and Enroll Today!

Eli Lilly is biting the hands that fed the weight-loss hype machine, calling out people who use the jabs to fit in a smaller dress or tuxedo in one ad and emphasizing that “obesity is a matter of health” in a second TV spot.

One of the new Lilly ads, "Big Night," goes further. While the open letter was a general broadside against cosmetic use of tirzepatide, the 30-second TV spot is a focused attack on Hollywood. Lilly timed the ad to coincide with awards season, specifically the Oscars, and left no doubt about its targets. 

“Some people have been using medicine never meant for them, for the smaller dress or tux, for a big night, for vanity. But that's not the point. People whose health is affected by obesity are the reason we work on these medications. It matters who gets them,” the ad states.

Lilly’s intervention comes one year after Novo Nordisk’s rival GLP-1 drug was name-checked in the Oscars ceremony, when comedian and TV host Jimmy Kimmel delivered the line “when I look around this room, I can’t help but wonder, ‘Is Ozempic right for me?’”

Dir: Malik Hassan Sayeed

Prod Co: Little Minx

Storyboards: Anoxi, Inc.

Lilly takes a closer look at how weight affects the lives of people like the woman riding the subway. The narrator of the 60-second explains that shame “showed up when I was young and stayed like a shadow, living in glances of people I loved, and ones I didn't even know, always reminding me of my body's supposed value.”

The ad shows the glances the woman received, the look of a loved one at the dinner table and a twitch of the eyes of a stranger on public transport. In the final section, the woman casts off the shame, asking what good it does, and is shown happily dancing and swimming. “Health is not about what weight we lose, it's about all the things a body can gain,” the ad concludes. 

Lilly’s intervention comes one year after Novo Nordisk’s rival GLP-1 drug was name-checked in the Oscars ceremony, when comedian and TV host Jimmy Kimmel delivered the line “when I look around this room, I can’t help but wonder, ‘Is Ozempic right for me?’”

Dir: Malik Hassan Sayeed

Prod Co: Little Minx

Storyboards: Anoxi, Inc.

Champions, underdogs and game-changers.

Hopes dashed. Dreams realized. Moments in time that last forever.

Nobody can predict what will play out on court but one thing is always certain...

The Championships 2024 will be Always Like Never Before

How do you immortalize the timeless greatness of Wimbledon, blending historical reverence with modern visual storytelling? That’s the creative challenge we embraced with McCann London for The All England Lawn Tennis Club’s Wimbledon Launch Campaign 2024.

Guided by the visionary direction of Carl Addy, we crafted "Always Like Never Before", an inspiring film that celebrates the stars of tennis past and future. By blending 3D animation, CGI, and archival footage, we brought unforgettable moments to life, each frozen in time to highlight the sport's enduring legacy.

ECD & Director - Carl Addy, The Mayda Creative Co.

TV that moves to fit your content

The Sero's screen rotates so you can watch your favorite content whether it's in portrait or landscape. Whether vertical for mobile content and apps or horizontal for movies and TV shows, you'll always have the best viewing perspective.

We have named our hero Asheni.

Asheni is curious, determined, smart but above all hardworking. She listens and learns from her elders. She builds on the knowledge her family has worked so hard to acquire and hopes to follow in her fathers footsteps.

We see her life story thus far in the blink of an eye. We capture it at 3 pivotal stages of her life.

8 Years Old - In the first 4 shots of the story we establish Asheni as a delightful child that is curious and loves to listen and learn.

14 Years Old - We transition from curiosity to determination as she takes her place at the drying racks studying and observing. She takes this passion to action by diving into books and data to grow the best leaves possible.

25 Years Old - She is proud and hopeful, now owning her own farm and continuing the family legacy of quality tea.

Our purpose is to be the leader in nourishing the world in a safe, responsible and sustainable way.

As the world faces extraordinary challenges – from climate change to food insecurity – delivering on our purpose is more critical than ever before.

Concept

An episodic visual feast, directly influenced and altered by fans to experience a story unique to their decisions.

A series of spatial comics that immerse fans deeper into the Nevers universe as the show itself unfolds.

Fans can navigate their own way through the off-screen journeys of our characters, charting their own unique course from point A to B within the hero storyline in this HBO sci-fi drama.

Creator - Joss Whedon

DVAG - Jürgen Klopp 'Levenswege'

In DVAG's current TV campaign wIn DVAG's current TV campaign we ask ourselves the question: What if Jürgen Klopp hadn't become a football coach? Maybe today he would find his calling in a different profession – as a baker, taxi driver, rock star or yoga teacher.

Often we are only one decision away from our life's dream. But you can rarely achieve it alone. But only with someone you can trust, who gives good advice and motivates you. You're in the right place with a coach - and that's what DVAG's financial advisors are there for!

This is the central message of the new campaign: However you want to live your life, we are your coach in all financial matters!

Director - The Mayda Creative Co. - Ben Smith & Carl Addy

Production - Zauberberg Productions , Feit Film AGAgency - WIRZ

Photographer and Director: David LaChapelle

Model: Isabeli Fontana

Although shrouded in science fiction, the personal ambition and family dynamics at the heart of this script are both relatable and compelling. Anita’s conflict and subsequent growth informs the close and intimate film that we envision.

‘The strength of a family, like the strength of an army, is in its loyalty to each other.’

‘You can’t move on until you say goodbye.’

This film is to highlight the “Northstar” Legendary Skin in the wearing of dad’s “V” pilot helmet and Northstar Titan influence.

All eyes are on the #VALORANTGameChangers teams, competing for the first time on a global stage in Berlin. Get hyped for every game, match, and moment of the tournament with the Game Changers anthem “All Eyes On Me”.

Robo Dog risks it all in Kia’s Big Game ad to live fully charged with the all-electric Kia EV6.

HANSEL ENMANUEL :30

Young Boy VO:

Open on a beautiful, cinematic, slow-motion shot of Hansel slowly dribbling the ball up court. A Gatorade bolt is placed over his body.

You might think you don’t belong.

We see him analyzing the game. Preparing his attack. His man picks him up just past mid-court. Hansel gives him a little shake and beats him. On the sideline, in the background, we see Gatorade coolers.

Because of what you look like.

Or where you come from.

As Hansel steps into the key, another player steps in to defend him. Hansel throws an amazing crossover and beats the player to his left.

Don’t wait to see someone else do it first.

Who told them that they could?

Hansel then continues to drive the ball.

What made them believe in themselves? Was it a role model?

We see him elevate and glide above and past the other opponents, skying towards the rim.

Or a realization - that want doesn’t look like anything.

Right before he touches the rim, cut to a fast montage of social media footage of Hansel executing AMAZING dunks. We hear the crowd roaring.

And it can’t come from anywhere

Cut back to the cinematic shot of Hansel as he celebrates his amazing play and heads back down court.

But within.

Super: What’s inside Hansel is inside you.

We cut to an amazing portrait shot of Hansel, surrounded by young, diverse basketball players with disabilities. They all look to camera with a confidence and pride.

We see the graphic Gatorade Bolt come up over Hansel and begin pulsing with energy and power.

Fuel Tomorrow

How their loved one is viewed can change dramatically over the course of the FLT3m + Acute Myeloid Leukemia’s journey. To bring this insight to life we have the loved one take on metaphorical representations of the real feelings and emotions a caregiver can go through.

Your care touches more than you know.

Hay Day's beloved cast of CG characters are back and discovering the new Hay Day Valley.

The campaign was once again led by Mill+ Director Robert Sethi, using the classic animation techniques presented throughout the previous campaigns that give the characters strong body language and perfect comedic timing.

Agency: Barton F. Graf

Production: Mill+

Director: Robert Sethi

Executive Producer: Anastasia von Rahl

Producer: Sumer Zuberi

Production Coordinator: Ade Macalinao

Editorial: The Mill

Editor: Victor Jory

Colour: The Mill

Colourist: Matthew Osborne

Executive Producer, Colour: Linda Jackson

Colour Producers: Liza Kerlin, Meg Scarcella

Production Coordinator, Colour: Jessica Amburgey

VFX Creative: The Mill

Creative Director: Robert Sethi

Storyboards: Mark Yates

2D Lead Artist: Ben Smith

3D Lead Artist: Tom Graham

2D Artists: Jake Albers, Franz Kol

3D Artists: Juan Zavala, Gustavo Gonzalez, Jason Kim, Daniel Soo, Melanie Okamura, Anthony Thomas, Matthew Connolly, Alice Panek, Joshua Delaney, Malcolm Moseley Matte Painting: Bill Lu, Gary Inloes

Two wildebeests watch in dismay as their wildebeest friends attempt to cross an alligator-infested river. One wildebeest informs the other that Metro by T-Mobile is offering two free phones to anyone who switches to one of its unlimited plans. They say it seems pretty smart to switch ... crossing the bridge instead of the river itself might be pretty smart, too.

Production: Mill+

Director: Ben Smith

Executive Producer: Ian Bearce

Producer: Nic Barnes
Shoot Supervisor: Rob van den Bragt

Editorial: The Mill

Editors: Ryan McKenna, Alex Trierweller

Edit Assist: Matt Campbell

VFX Production: The Mill

Executive Producer: Zu Al-Kadiri

Senior Producer: Heino Henning

Production Coordinator: Jesse Pliska\

VFX Creative: The Mill

Creative Director: Ben Smith

Storyboards: Mark Yates

The Best Work You May Never See:

In these Ad Council/Truth Initiative PSAs, director Malik Sayeed of production house Little Minx tells us 4 true stories of opioid dependence.

Amy, Kyle, Chris and Joe share their true stories.

Each share with us their tale of opioid addiction. To treat either injury or surgery doctors prescribe Vicodin until they are hooked. We learn that opioid dependence can happen after just a few days.

We then see how far they will go to get a prescription.

Production

Production: Mill+

Director: Ben Smith, Anais LaRocca

Director of Photography: Adam Carboni

Executive Producer: Sallyann Houghton

Producer: Nic Barnes

Shoot Supervisor: Kshitij Khanna

Production Service Company: World Fixer, Morocco

Editorial

Editorial: The Mill

Editor: Leanne Belgiorno, Ryan McKenna

Edit Assist: Melanie de Souza

VFX Production

VFX Production: The Mill

Executive Producer: Sallyann Houghton

Producer: Georgina Castle

Line Producer: Payal Thakkar

Production Coordinators: Esther Montgomery, Umesh Chand

VFX Creative

VFX Creative: The Mill

Creative Director: Ben Smith, Anais LaRocca

Shoot Supervisor / 2D Lead Artist: Kshitij Khanna

3D Lead Artist: James Mulholland

2D Artist: Yoon-sun Bae, Ting Jung-Hsu, Yongjae Lee, Dhruv Shankar, Rosi Ruiz, Joe Taylor, Mahesh Ravila, Rahul Bhardwaj, Sujata Pandit

3D Artist: Arman Matin, Constance Bensen, Dave Barosin, Jackie Liao, Jeffrey Lee, Jessica Castillo, John Wilson, Navdeep Singh, Pablo Estrella You, Paul Liaw, Tighe Rzankowski, Todd Akita, Tom Bardwell, Ayush Bajoria

Finish Artist: Kieran Hanrahan, Drew Maloney

Matte Painting: Charles Lee, Bijo Joy

Tracking Lead: Murali Krishna Reddy

Tracking: Bhavani Shankar, Fazal Khan, Ganesh Lamkhade, Spandana Battula

Design: Pierce Gibson, Matt Whitewood

Pitch Design: Mark Alan Yates, Maegan Mann, Ty Richardson

Storyboards: Mark Alan Yates

Colour

Colour: The Mill

Colourist: Mikey Rossiter

Executive Producer, Colour: Rochelle Brown

Colour Producer: Evan Bauer

Production Coordinator, Colour: Blake Rice

Music & Sound Design

Original Music and Sound Design: Mophonics

Arranger: Shea Duncan

Song: Inta Omri by Mohammed Abdel Wahab

Executive Creative Producer: Jean Scofield

Creative Producer / Partner: Kristoffer Roggemann

The Universal Sphere™

From Steven Spielberg, DreamWorks Animation, Universal Parks and Resorts and Comcast Labs, this free, cinematic experience explores the power of ideas.

The inspiring program, “The Power of I”, is presented in a dome theater in the Comcast Technology Center lobby.

The second Death Star is gone, but starfighter pilots unite on both sides of the Galactic Civil War as it rages on in STAR WARS™.

You are a modern-day gladiator fighting for survival in a televised combat sports park.

This Holiday Season Ralph Lauren invites you to join with Polo Bear and celebrate the holidays in style and discover the art of gifting with Ralph Lauren Fragrances.

REJECTION FUELS CRAZY

LAUNCHING THE FW18 CRAZY BYW WITH A DEEPER DIVE INTO THE SHOE’S HISTORY.

WE EXPLORE REJECTION AS AN EXPERIENCE ESSENTIAL TO THE HUMAN CONDITION AND HOW IT COMES FROM FEAR AND FEEDS OFF OF IT.

HOW DO WE GET THROUGH IT ALL?

HOW DOES IT SHAPE WHO WE BECOME?

FILMS DIRECTED BY Malik Sayeed

PHOTOGRAPHY BY Ethan James Green

Production Company: Scholar

Director: William Campbell

Storyboards: Mark Yates

Lash Sensational® Waterproof mascara unfolds layers of lashes for a sensational full fan effect, thanks to its exclusive fanning brush with ten layers of bristles. This cult-favorite mascara delivers supple, separated lashes that never feel weighed down.

Welcome to the place where beauty lives. “Where Dreams Begin” celebrates the powers of beauty that weave through us all.

The team was tasked with crafting a film that illustrated the various first-of-their-kind visual and sound tech specs of the impressive Sony 4K BRAVIA OLED TV.

Apex Legends' Season 5: Fortune's Favor. It features Loba Andrade, who seeks revenge for the death of her parents, in this beautiful cinematic.

Production: The Mill

Directors: David Lawson, Lisha Tan

Head of Content: Ian Bearce

Executive Producer: Elizabeth Newman

Producers: Alicia Haldenwang, Sam Khazaeni

Associate Producers: Chad Adams, James Morse

Production Coordinator: Garrett Rooney

Director of Photography: Mike Reyes

Editorial

Editorial: The Mill

Editor: Natalie Wozniak

Edit Assist: Ryan Burbank

VFX Production

VFX Production: The Mill

Executive Producer: Elizabeth Newman

Deputy Head of Production: Will Unterreiner

Senior Producer: Rebecca Jones

Associate Producer: Jena Bodell

Line Producer: Goutham H

Production Coordinator: Utkarsha Shinde

Production Assistant: Bruce Langfield

VFX Creative

VFX Creative: The Mill

Shoot Supervisor: Chris Bayol, John Fielding, Derrick Sesson, Dustin Leon

2D Lead Artist: Sole Martin

3D Lead Artist: Ben Blundell, Chris Bayol

Modeling Supervisors: Derrick Sesson, Will Burdett, Dustin Leon

Animation Supervisors: Fabrice Fiteni, John Fielding

VFX Supervisor: Anthony DSouza

Asset Lead: Kanishk Chouha

Lighting Lead: Wesley Roblett,Ravikumar Mallikarajuna Singapur

Rigging: Mario Ercolano, Hannah Bahyan, Andreas Graichen, Stefan Hoare

2D Artist: Fergal Hendrick, Matt McDougal, Alfie Vaughan, Kristian Reyes-Cabrera, Thiago Dantas, Tom Luff, Jake Albers

3D Artist: Wesley Roblett, Renato Suetake, Vicky McIntyre, Tatjana Ljubimtseva, Patrick Keogh, Nicola Gilbert, Evelina Dalin, Tony Atherton, Henry Medhurst, Joshua Curtis, Vaclav Cizkovsky, Luke Dadley, Richard Green, Phill Mayer, Kieran Russell, Christian Sanchez, Michael Kash, Sophie Quagebeur, Samantha Pedregon, Girish GR, Rakesh Bharath, Akshay Suresh Lanjewar, Amit Das, Asis Kumar Mahakhud, Shashi Kumar Dakota, Somesh Tiwari, Dinesh B, Dinesh Kanakaraj, Kanakala Chaitanya, Kartik Arora, Kiran Prabhu, Ramki T, Karthikeyan Sivasubramaniam, Vaishali Gholap, Vijay Mohan

Finish Artist: Gavin Marler

Matte Painting: Ed Laag, Gary Inloes, Bill Lu

Animation: Paul Templeman, Laurie Estampes, Thomas Craig, Jacob Bergman, Justin Tirado, Joe Besagni

Concept Art: Ed Laag, Kimya Sheikh

Motion Graphics: Patrick Kipper, Lisha Tan

Colour

Colour: The Mill

Colourist: Matt Osborne

Color Associate Producer: Blake Rice

Color Assist: Logan Highlen, Gemma Parr

Storyboards: Mark Yates

The team was tasked with crafting a film that illustrated the various first-of-their-kind visual and sound tech specs of the impressive Sony 4K BRAVIA OLED TV.

Agency

Agency: Nordeus

Production

Production Company: Mill+
Director: Russell TicknerExecutive Producer: Stephen VenningProducer: Mark ‘Swifty’ HanrahanProduction Coordinator: Freddie HainesShoot Supervisor: David HempsteadMotion Capture: CentroidFacial Scans: Flex Animation

Editorial

Editor: Dan Hemmington

VFX Production

VFX Production: The Mill

Executive Producer: Colin Oaten

Producer: Sean Francis

VFX Creative

VFX Creative: The Mill

Shoot Supervisor: David Hempstead

2D Lead Artist: Rebecca Clay, Greg Spencer

3D Lead Artist: David Hempstead

2D Artist: Lucas Carracedo, Declan Andrews

3D Artist: Matthew Kavanagh, James Hansell, Andrew Bartholomew, Andreas Graichen, Giacomo Cavalletti, Clement Granjon, Edward Hicks, Carlo Carfora, Peter Agg, Tony Atherton, Maria Carriedo, Stuart Turnbull, Perrine Renard, Alain Thay, Nicola Gilbert, Maxime Cronier, Evelina Dalin

Storyboard Artist: Mark Yates

A futuristic form of film noir, that mixes and blurs the lines between organic and technological, between physical and electrochemical. Giving viewers a frightening look into the dark abyss of the Altered Carbon universe, through the memories, subconscious thoughts, and dreams of Takeshi Kovacs.

Did you feel that? Kings Canyon will never be the same.

Apex Legends™ is a free-to-play battle royale game where legendary characters battle for glory.

Client: Respawn Entertainment
Executive Producer: Drew McCoy
Creative Director: Drew Stauffer
Writers: Manny Hagopian, Thomas Casiello
Producer: Jon Judelson

Production: Mill+
Directors: David Lawson, Lisha Tan
Executive Producer: Elizabeth Newman
Senior Producer: Gabriel Blanco
Associate Producer: James Morse
Shoot Supervisors: Chris Bayol, Jacob Bergman
Creative Development: Robert Lewis
Line Producer: Alicia Haldenwang
Production Coordinator: Hector Carranza
Production Assistant: Karina Gonzalez

Editorial: The Mill
Editor: Nathaniel Park
Edit Assist: Ryan Burbank
Additional Editor: Natalie Wozniak

Previsualization Services: Proof, Inc
Producer: Marcela Coto
Previsualization Supervisor: David Allen
Previsualization Artists: Austin Taylor, Carl Vazquez, Nathan Abreu, David Pritchard, Eddie Kim, Kino Wu

Colour: The Mill
Colourist: Matthew Osborne
Executive Producer, Colour: Linda Jackson
Senior Colour Producer: Liza Kerlin
Production Coordinator, Colour: Jessica Amburgey
Colour Assist: Gemma Parr, Nate Seymour

VFX Production: The Mill
Senior Producer: Ben Foster
Producer: Daniel Beldy
Production Coordinator: Estelle Matranga

VFX Creative: The Mill
Creative Director: David Lawson, Lisha Tan

VFX Supervisor: Chris Bayol

Art Director/Lead Matte Painting: Ed Laag
Shoot Supervisors: Chris Bayol, Jacob Bergman
2D Lead Artist: Evan Langley
Deputy Head of CG: Chris BayolAnimation Supervisor: Jacob BergmanCG Lighting Lead: Ziming LiuFX Supervisor: Daniel SternCG Asset Leads: Samantha Pedregon, Joel Kittle, Melanie OkamuraRigging Supervisor: Nole Murphy
2D Artists: Evan Langley, Franz Kol, Lenz Kol, Dag Ivarsoy, Dylan Streiff, Roman Ivarsoy, Stephen Holbrook, Stephen Paragone
3D Artists: Chris Bayol, Ziming Liu, Dustin Leon, Samantha Pedregon, Yarin Manes, Jeremy Ramirez, Derrick Sesson, Victor Duncan, Matthew Choy, Chin Tin, Melanie Okamura, Joel Kittle, Michael Kash, Noah Schnapp, Sharlene Yin, Chris Goodrich, Robert Vignone, Anthony Thomas, Daniel Stern, Charles Storniolo, Hiroshi Tsubokawa, Jae Jun Yi, James Robinson, Jason Jansky, Lamarcus Harvey, Malcom Moseley, Matt Bohnert, James Ellis
Matte Painting: Ed Laag, Kevin Moran, Bill Lu, Gary Inloes, Itai Muller, Andy Wheater
Animation: Jacob Bergman, Randy Link, Justin Tirado, John Field, Joshua Delaney, Katie Yancey, Gustavo Gonzales, Dan Warom, Matt Sackley, Riyad Hassan
Design: Taehoon Park
Motion Graphics: William MendozaArt Department: Hakob Minasian, Wendy YoonPipeline TD: Phil Mayer
Production Coordinator: Dylan Ptak
Storyboard Artist: Mark Yates

Agency

Agency: McCann NY

Producer: Tamara Lecker

North American Chief Creative Officer: Eric Silver

Chief Creative Officers: Sean Bryan, Tom Murphy

Executive Creative Director: Mat Bisher

Group Creative Directors: Jason Ashlock, Dominick Baccollo

Senior Writer: Colby Spear

Senior Art Director: Pedro Sampaio

Chief Production Officer: Nathy Aviram

Senior Producer: Tamara Lecker

SVP Executive Music Producer: Eric Johnson

Integrated Music Producer: Dan Gross

EVP Executive Account Director: Scot Beck

VP, Account Director: Caroline Fuller

Account Director: Molly Vossler

Account Executive: Ellery Gitkin

SVP Group Strategy Director: Laura Frank

Production

Production: The Mill

Executive Producer: Zu Al-Kadiri

Producer: Hillary Thomas

Production Supervisor: Georgina Castle

Production Coordinator: Emily Stave, Esther Montgomery

Production Support: Goutham H, Utkarsha Shinde

Editorial

Editorial: The Mill

Editor: Ryan McKenna

VFX Creative

VFX Creative: The Mill

Director / Creative Director: Ben Smith

Shoot Supervisor: Ed Boldero, Alek Vacura

2nd Unit Director: Alex Clark

2D Lead Artist: Tim Crabtree

3D Lead Artist: Ed Boldero

Animation Lead: Katie Yancey

2D Artist: Roxy Zuckerman, Daniel Thuresson, Dag Ivarsoy, Abby Riegel, Rakesh Venugopalan, Evan Langley, Renjith Raveendran, Prajeesh Chaliyam, Basabendu Sarkar, Sandeep Kumar Singh, Yogesh Sarwa, Jiten Harkhani, Vinod Gopinathan, Renjith Raveendran, Prajeesh Chaliyam

3D Artist: Matthew Choy, Jeremy Ramirez, Sophie Quagebeur, Daniel Stern, Danny Garcia, Ryan Federman, Elizabeth Hammer, Lalida Karnjanasirirat, Victor Duncan

Finish Artist: Roxy Zuckerman

Matte Painting: Rasha Shalay, Gillian George, Bill Lu, Andy Wheater

Animation: Jacob Bergman, Justin Tirado, John Fielding, Randy Link, Gustavo Gonzalez, Melik Malkasian, Matt Connolly

Design: Alex Clark

Motion Graphics: Joakim Ekstrom

Art Department: Kevin Diaz, Valerie Chernysh

Storyboard artist: Mark Yates

Welcome to World’s Edge, a new Apex Legends map where molten heat and chemical ice collide. Join our cast of Legends – including the newest Legend, Crypto – on the dropship as they’re whisked from Planet Solace towards World’s Edge on Planet Talos.

Client: Respawn Entertainment
Creative Director: Drew Stauffer
Executive Producer: Drew Mccoy
Producer: Jon Judelson
Writers: Manny Hagopian, Thomas Casiello

Production

Production: Mill+
Directors: Lisha Tan, David Lawson
Executive Producer: Elizabeth Newman
Senior Producer: Gabriel Blanco
Associate Producer: James Morse
Line Producer: Laura Morris
Shoot Supervisor: Chris Bayol, John Fielding

Previsualization

Previsualization: The Third Floor, Inc.
Visualization Executive Producer: Christopher Edwards
Line Producer: Lori Talley
Visualization Coordinator: Brooke Lowery
Visualization Supervisor: Mitch Gonzalez
Visualization Artists: Changmin Lee, Michael Kevin Ryan, Steven Lo, Ty Harmon, Victor Latour, Win Leerasanthanah

VFX Production

VFX Production: The Mill
Senior Producers: Ben Foster, Moira Mahoney
Senior Line Producer: Nitin Kumar Bahl
Production Coordinator: Estelle Matranga

Editorial

Editorial: The Mill
Editor: Nathaniel Park
Edit Assist: Ryan Burbank
Additional Editor: Natalie Wozniak

Colour

Colour: The Mill
Colourist: Matthew Osborne
Executive Producer, Colour: Linda Jackson
Colour Associate Producer: Blake Rice
Production Coordinator, Colour: Jessica Amburgey
Colour Assist: Gemma Parr, Brandon Phillis

VFX Creative

VFX Creative: The Mill
Creative Directors: Lisha Tan, David Lawson
Art Director/Lead Matte Painting: Ed Laag
Shoot Supervisors: Chris Bayol, John Fielding
VFX Supervisor: Chris Bayol
Animation Supervisor: John Fielding
CG Lighting Lead: Ziming Liu
Modeling Lead: Kanishk Chauhan
Modeling Supervisor: Derrick Sesson
CG Asset Lead: Samantha Pedregon
Rigging Supervisor: Nole Murphy
FX Supervisor: Peter Claes2D Lead Artist: Evan Langley
2D Artists:Evan Langley, Franz Kol, Kaichun Tsai, Jeannie Huynh (Remedy), Dylan Streiff, Adrian White, Abigail Reigel
3D Artists: Chris Bayol, Ziming Liu, Samantha Pedregon, Derrick Sesson, Victor Duncan, Yarin Manes, Valentin Erbuke, Melanie Okamura, Monique Espinoza, Anthony Thomas, Chris Goodrich, Michael Kash, Manan BachkModeling Artists: Akshay Suresh Lanjewar, Dinesh B, Kapil Rana, Kartik Arora,Somesh Tiwari, Sudakshina Sridharan, Sudhir Verma, Vijay MohanEnvironments Lead: Dustin Leon
FX Artists: Peter Claes, Charles Storniolo, James Robinson, Jae Jun Yi, Hiroshi Tsubokawa, Daniel Stern, Malcom Moseley, Daniel Soo
Matte Painting: Ed Laag, Bill Lu, Gary Inloes, Itai Muller, Kevin Moran, Randy Bantog
Animators: John Fielding, Juan Zavala, Justin Tirado, Katie Yancey, Gustavo Gonzalez, Alice Panek, Jacob Bergman, Sashdy Arvelo, Erik CastilloVirtual Camera Artist: Woosung Kang
Storyboard Artist: Mark Alan Yates

A S.H.I.E.L.D medic looks around at his teammates and reflects on his own status among them. He's not a superhero like Thor, Captain America, Drax or Electra, but today he chooses to stand up for what's right using the limited skills he has -- although, Drax happily points out that he should not have walked out of the ship first because he's prone to get hit with laser blasts.

Brand

Brand: Ralph Lauren Fragrances

Global Marketing Manager: Alexandre Soubev

VP, Global Marketing Mens’: Roxanne Blasz

Deputy GM, Ralph Lauren Fragrances: Ginny Wright

Global Manager, Digital: Mari Prats

Junior Marketing Associate: Bari Blitzer

Supervisor Client Relations, Ralph Lauren: Migel Ross Giraud

Manager Client Services Interiors, Ralph Lauren: Liron Prioleau

Production

Production: The Mill

Director: Nic Yiallouris

Executive Producers: Tracey Khan & Blake Nickle

Producers: Kate Ryan, Kerry Taylor & Danika Casas

Shoot Supervisor: Naotaka Minami

Director of Photography: Dan Frantz

VFX Creative

VFX Creative: The Mill

Creative Director: Nic Yiallouris

2D Lead Artist: Jason Bergman

3D Lead Artists: Naotaka Minami, David Hempstead, Alan Williamson & Adam Carroll

2D Artists: Alison Bloom, Ryan Esboldt, Inthuri Chandra Shekar, Jyoti Tiwari, Maheshwaran Chandrasekaran, Prasanna Bhatt, Samarendra Lenka, Sathya Sagar Kolli & Siam Shukoor

3D Artists: Mari Chung, Matt Sackley, Matthew Kavanagh, Vicky McIntyre, Riyad Hasan, Ross Scroble, Abhishek Kumar, Pablo Estrella You, Amal Arjun J P, Amit Das, Ashfaque Ahmad, Ashwin Arun Bansode, Asis Kumar Mahakhud, Ayush Bajoria, Bharat Ediga, Bhavani Shankar, Damudar Khuman, Dhruba Sinha, Dinesh B, Ganesh Lamkhade, Girish GR, Guru Prasad, Jimmy Thomas, Jobin Jacob, Kalpesh Patel, Kanishk Chauhan, Karthik Viswanathan, Mahesh MS, Murali Krishna Reddy, Nayan Bora, Nishant Kumar, Prateek Shubhanker, Rajib Pal, Ramki T, Ravikumar Mallikarajuna Singapur, Rijo R, Sandeep Patil, Senthilkumar Chellappan, Shashi Kumar Dakoju, Somesh Tiwari, Sriker Balakrishnan, Sudhir Verma, Sumanto Bej, Venugopal A & Vijay Mohan

Matte Painting: Jhoshidh T

Design: Caro Lopez Corominas, Devin Hayes, Matt Darnall, Ryan Bechlter & Sara Kopke

VFX Production

VFX Production: The Mill

Executive Producer: Blake Nickle

Senior Producer: Jack Williams

Producer: Kate Ryan

Production Coordinator: Alexie Kozol

Editorial

Editorial: The Mill

Editor: Andrew Hague

Edit Assist: Al Benoit

Colour

Colour: The Mill

Colourist: Oisin O’Driscoll

Colour Producer: Dan Butler

Colour Assists: Lindsey Mazur & Jacob McKee

Storyboard Artist: Mark Yates

Ending previz.

Conan - Blue

Tamara - Pink

Priests - Red

Khalar - Yellow

Khalar's men - Green

Acheronians - Grey